Monday, February 28, 2011

Four shots from out of the dark

Recently I got an email from an old acquaintance from Wesleyan who was a TA for some photography classes I took while I was there. She asked if I could send her some copies of images I took while a student in her class for a job application and after a little digging around I found these and sent them over. Now they're on top of the pile and I've been thinking about these images and what sort of secrets and premonitions they hold in their images about who I was when I took them and who I'd be five years later. Thiscoming summer is my 5-year reunion from Wesleyan and it's a weird feeling to think of all the time between then and now as a single chapter of my story.

Tuesday, February 15, 2011

one arm between us

For the day after: a photograph of lovers, disconnected.

Monday, February 14, 2011


Happy happy valentines day.

Thursday, February 10, 2011

small windows redux

More small portaits from Vermont, but these much more lavish and varying in decorative flair. Still the same size though-- for pockets?

Wednesday, February 9, 2011

small windows

All of these came from my excursions in Vermont last November-- they probably were all produced by the same photographer. When I was in Vermont a few summers ago I noticed that a larger percentage of photographs at antique stores had been originally shot locally than in other towns and cities, certainly on the west coast. I think people are more inclined to stay in Vermont-- there's a strong commitment in communities to be self-sustaining and certainly less draw for droves of young transient up-starters than found the in friendlier climates of the west and opportunities of big city life. Consequently, the photographs also show a visual dialect-- there were droves of very very similar portraits all the same size, same layout, similar cardstock and borders.

Sunday, February 6, 2011

coming to a head

Yesterday and today I installed these 100 drawings in the final culmination of a project that I started in the summer. It took a long time because I left town for all of August and then again for November and December! My friend George Pfau helped me get them onto the walls yesterday using a finicky scaffolding set-up... basically a board placed between two ladders. The drawings are affixed to small wooden panels, which are held to the wall with super-strong magnets. The night before installation I panicked because I realized that if something with the earth's magnetic poles get shifted in 2012 (aka the end of the world) that they would all fall down. Then I was reminded that this would be a relatively small concern in the face of apocalypse and felt better. It feels so so good to have finished such a monolithic (polylithic?) undertaking and I'm relieved to be done but also wondering what the next big project will be.